UURAF

 It springs up like a vast
colony of mushrooms. The ballroom
leafs out with posters, each one
with its human nest of bags at the base.
 
This is how I feel every spring,
when the trees leaf out overnight:
uneasy, as though I’d missed something
I should have been attending to.
 
Here the organic growth is thought.
Here we talk about words we’ve written
and write down more words to say.
The ballroom buzzes like a hive.
 
Paper, internet, brains, devices:
How long can the vast network hold?
If it all collapses, will we go back
to pointing and grunting? I cannot
 
do anything about it. I’m a mushroom
in the cluster, a branch, a worker bee.
Poster session, Union ballroom

UURAF is the annual University Undergraduate Research and Arts Forum at Michigan State University. It had over a thousand presenters this year, spread over three floors in the Student Union building.

The parasite

  
Four years ago it entered at the foot:
Waiting in filth to find an open wound,
Then, like a hookworm, burrowing inside.
 
But it was just a local rash, an itch,
On just one foot, the right. We knew
The body politic could heal itself.
 
At first it seemed that we were right. The legs
Kept moving, marching, even when the worm
Sent out its toxic bans to paralyze
 
The host. But then the poisons were too strong;
The liver failed at cleansing the lifeblood
Of bigotry and hate in daily dose.
 
And then the heart, which for a while still cried
With Rachel Maddow, seeing kids encaged,
Grew numb and stiff, sclerotic at the last.
 
And then it was the lungs. They couldn’t take
Another breath of the miasmic air:
So, clogged with lies, alveoli closed down.
 
And now the worm has moved into the brain,
Corkscrewing its way in, a spirochete.
It’s settled in for life. So do not fear
 
That it will burst like Alien from the gut.
It doesn’t want to go. It needs the host.
Fear rather that tomorrow you may look
 
In your own mirror and see yellow hair,
And orange face with dead white eyes, and mouth
No human ever had: a tapeworm maw.
Image of spirochetes from Newcomer Supply

NaPoWriMo prompt for Day Three: “a story or action that unfolds over an appreciable length of time.” Much too long, in this case.

Getting through grading

 Stand up, we advise. Move around.
Stay light on your mental feet.
 
I remember a man in a swamp,
waist-deep, with a rope, saving an impala.
 
It’s young and terrified, but it trusts him.
Or maybe it’s in shock, and he’s the last resort.
 
He knows the swamp: the sticky weight of words
that suck you down. You have to keep moving
 
till you find your feet. Don’t worry
about how you look. Mud washes off.
 
He tugs on one leg, then another, hoists the back
end onto slightly firmer swamp. Then hauls
 
with his own life rope. The impala
permits this indignity and does not kick.
 
Now it’s on solid ground. He pulls it upright,
one leg at a time. It blinks and bounds away.
 
I hope it will return some day, if only
for a letter of recommendation. The only way
 
to get through the swampy part of the semester:
get down in the mud and struggle
with your students. Share your own rope.
Ranger saving impala from swamp in Zimbabwe

https://goo.gl/images/3gQha8

Yesterday’s prompt was, “Write a how-to.” And my colleague Matt Rossi had posted on Facebook, How do I get through my grading without getting all grumpy? So this.

Watergirl


The Undines, the Little Mermaids
always seem to need a soul,
marrying or stealing to get it.
 
I didn’t, even when I sang
with Tracey Chapman
that it was all that I had.
 
But I needed a lake bed
to hold that soul
like water in cupped hands.
 
In our beginnings, you wrote
that I flowed over you
and nourished the parched ground.
 
Did you know then
how the lake seeks the shore
curling up to it like a cat on a lap?
John William Waterhouse

At the beginning of our courtship, my husband Jeff called me Watergirl and I called him Woodland Creature, or wg and wlc. I was reminded of this when yesterday’s NaPoWriMo prompt asked us to imagine ourselves as a historical or mythological figure.

Touchpool

It’s a supervised visitation,

a controlled contact.

— Two fingers only, in the center of the back!
— Put your whole hand in the water, and wait!
calls the zookeeper.
 
The rays flow past in their elegant capes.
Their eyes are dark and recessed,
spiracles for brows.
We can’t read their faces.
 
Now and then they rise to the surface,
arching against my hand. It feels
like petting a cat and also
like preparing sole filets. I know I will never
eat fish again.
 
Water seems kinder than wind.
With cartilage for bone, the rays are
more graceful than birds, and more distant.
 
I emerge into sunlight,
turn from the Mississippi up Canal Street.
 
— Foo’ massage, twel’ dolla’!
call the shopkeepers.
End consonants fall away; their words are soft and liquid.
They pull me into their touchpool.
 
The guidelines are set for controlled contact.
Sitting or lying? Water or lotion?
I think of Yeats’s “ceremony of innocence.”
By such rules, strangers may touch one another.
 
I lie back. The stroker becomes the stroked.
Under the waves of benevolent pressure, I relax
until the street noises blend into a bath of sound
where I may safely swim.
 

southern-stingray-600

Image by Audubon Nature Institute


In France, April Fool is April Fish.

Last week I stayed in New Orleans for the annual conference of the College English Association, and visited the amazing Aquarium of the Americas, whence this reflection.